Speech intelligibility in a meeting room. Speech privacy between one room and the next. Open-plan noise brought down to a level people can actually think in. Specified alongside the architect's finishes, not bolted on after the fit-out's signed off.
A home theatre is treated so the room doesn't fight the front three channels. A commercial fit-out has more jobs to do: stop a meeting room turning into a guessing game, and stop a boardroom ringing every time someone raises their voice. Open-plan floors trade walls for noise, and the fix is usually the ceiling, the partition and furniture absorbing what would otherwise bounce around. We look at the space early enough to shape the finishes schedule, not called in once the fit-out's done and the budget's gone on paint.
Reverberation brought down to where speech stays clear and a conferencing mic doesn't smear voices into echo. The difference between a call people can follow, and one full of repeated questions.
Wall, ceiling and door build-up assessed for how much of a confidential conversation carries into the corridor or the next desk. Useful wherever a conversation needs to stay put.
Ceiling absorption, partial screens and furniture placement bring down the reflected noise that builds up across an open floor, so a desk in the middle isn't fighting a conversation six desks away.
Reverberation addressed around where microphones sit and people speak. A room can feel comfortable and still sound poor on a call, a problem nobody in the room notices.
Ceiling tile, carpet, partition build-up and joinery reviewed against what the space needs acoustically, and raised with the architect while the schedule can still change.
Acoustic panels and ceiling treatment specified in finishes that sit inside the fit-out's material palette, so the treatment reads as part of the design, not an obvious retrofit.
Tell us about your space and how it's used. We'll assess what the fit-out needs.
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